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PUBLICATIONS

Platform Papers

PERFORMING ARTS MARKETS AND THEIR CONUNDRUMS

Justin Macdonnell
CRITICISM, PERFORMANCE and the need for conversation

Alison Croggon
CAPTURING THE VANISHING: A choreographer and film

Sue Healey
NGARRA-BURRIA: New music and the search for an Australian Sound

Christopher Sainsbury
THE CHANGING LANDSCAPE OF AUSTRALIAN DOCUMENTARY

Tom Zubrycki
CULTURAL JUSTICE AND THE RIGHT TO THRIVE

Scott Rankin
FALLING THROUGH THE GAPS

Mark R.W. Williams
ART, POLITICS, MONEY

David Throsby
YOUNG PEOPLE AND THE ARTS

Sue Giles
THE JOBBING ACTOR: Rules of engagement

Lex Marinos
PUTTING WORDS IN THEIR MOUTHS

Andrew Bovell
MISSING IN ACTION: The ABC and Australia’s screen culture

Kim Dalton
RESTLESS GIANT: Changing cultural values in regional Australia

Lindy Hume
THE LIGHTING DESIGNER: WHAT IS 'GOOD LIGHTING'?

NIGEL LEVINGS
WHEN THE GOALPOSTS MOVE

Ben Eltham
AFTER THE CREATIVE INDUSTRIES

Justin O'Connor
THE DESIGNER: Decorator or Dramaturg?

STEPHEN CURTIS
PAYING THE PIPER There has to be a better way

Cathy Hunt
CULTURAL PRECINCTS Art or commodity?

JUSTIN MACDONNELL
THE ARTS AND THE COMMON GOOD

Katharine Brisbane
THE TIME IS RIPE FOR THE GREAT AUSTRALIAN MUSICAL

John Senczuk
EDUCATION AND THE ARTS

Meg Upton, with Naomi Edwards
TAKE ME TO YOUR LEADER

Wesley Enoch
THE RETREAT OF OUR NATIONAL DRAMA

Julian Meyrick
ENLIGHTENMENT OR ENTITLEMENT

Peter Tregear
NOT AT A CINEMA NEAR YOU

Lauren Carroll Harris
RE-VALUING THE ARTIST IN THE NEW WORLD ORDER

David Pledger
THE MUSIC OF PLACE

Jon Rose
IT'S CULTURE, STUPID!

Leigh Tabrett
CHANGING TIMES AT NIDA

Chris Puplick
HISTORY IS MADE AT NIGHT

Clinton Walker
FINDING A PLACE ON THE ASIAN STAGE

Alison Carroll and Carrillo Gantner
INDIG-CURIOUS

Jane Harrison
DEMOCRACY VERSUS CREATIVITY

Nicole Canham
THE FALL AND RISE OF THE VCA

Richard Murphet
HELLO WORLD!

Robert Reid
NOT JUST AN AUDIENCE

Lenine Bourke and Mary Ann Hunter
MOVING ACROSS DISCIPLINES

Erin Brannigan
THE DIGITAL PLAYING FIELD

Shilo McClean
WHATEVER HAPPENED TO THE STC ACTORS COMPANY

James Waites
COPYRIGHT, COLLABORATION AND THE FUTURE OF DRAMATIC AUTHORSHIP

Brent Salter
TELEVISION

Ian David
BEETHOVEN OR BRITNEY

Robert Walker
'YOUR GENRE IS BLACK'

Hilary Glow and Katya Johanson
GETTING HEARD

Chris Puplick
WHAT IS AN AUSTRALIAN PLAY?

Chris Mead
THE PERMANENT UNDERGROUND

Peter Rechniewski
A SUSTAINABLE ARTS SECTOR

Cathy Hunt and Phyllida Shaw
WHO PROFITS FROM THE ARTS?

Kay Ferres and David Adair
CROSS-RACIAL CASTING

Lee Lewis
FILM IN THE AGE OF DIGITAL DISTRIBUTION

Richard Harris
A REGIONAL STATE OF MIND

Lyndon Terracini
SATIRE OR SEDITION

Jonathan Biggins
WHAT PRICE A CREATIVE ECONOMY

Stuart Cunningham
BODY FOR HIRE?

Amanda Card
DOES AUSTRALIA NEED A CULTURAL POLICY

David Throsby
ART IN A COLD CLIMATE

Keith Gallasch
SHOOTING THROUGH

Storry Walton
THE MYTH OF THE MAINSTREAM

Robyn Archer
TRAPPED BY THE PAST:

Julian Meyrick
SURVIVAL OF THE FITTEST

Christopher Latham
'OUR ABC' A DYING CULTURE?

MARTIN HARRISON

Books

Title Add to cart form
Dancing to His Song: The singular cinema of Rolf...
THE PRINCIPLES OF MOVEMENT
Networking Commercial Television in Australia
The Empire Actors: 'Stars of Australasian...
Singing the Land: the Power of Performance in...
LORDS AND LARRIKINS: the Actor's Role in the...
A Leader of His Craft; Theatre reviews of H.G....
Simple Gifts - A life in the theatre
Currency Companion to Music and Dance in Australia
The Parsons Lectures

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